![]() ![]() Lancelot's journey serves to achieve different ends for different people, and other characters - such as Gawain or the hunting knight's sons - are driven to quest for their own ends. The quest, he argues, is not a singular or fixed entity in this romance, but is instead quite different for each character. Medievalist Edward Condren points out that the quest “does not seem to have been Chrétien's principle of aesthetic unity” (435). Even after they consummate their relationship in the tower, he must continue to do her bidding, suggesting that the quest for love never ceases. ![]() However, once he finds her, he must continue to quest in order to deserve her love. The first part is a physical quest - though driven by love, the knight tries to rescue Guinevere. Indeed, in Lancelot, Lancelot's quest for Guinevere is a driving force, though it is by no means a static and unchanging entity. The quest is an important theme in Arthurian romance. ![]()
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